Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome model of a baby in a cradle, dated circa 1765. The little baby lies comfortably in its bright yellow cradle. Of course, the yellow delineated in iron-red represents wicker, the perfect material to create…
With their high intelligence and their humanlike behaviour in which we can recognize our own, monkeys and apes were either loved or hated.In art, from the fourteenth throughout the seventeenth century, monkeys were not so much targets of ridicule themselves, but were used to point out the idiocies of human endeavour. Especially the Flemish engraver…
Over the centuries and throughout the arts the swan has symbolized beauty, elegance and perfection. Celebrating the popularity and the status of the noble swan, it is no surprise that historically the majestic bird often was chosen to decorate the table during a dinner party given by a prosperous family. As the hunt for this game…
On September 17, 1787, the United States Constitution was signed in Philadelphia. However, Holland was simultaneously undergoing a great deal of tumult with the Prussian invasion. This blue and white charger, dated September 16, 1787 is a poignant reminder of the event. The text on the charger reads “September 16 was elk in lij, 3…
‘Do not ingest, do not breath dust’ warns Ralph Mayer in The Artist’s Handbook of Materials and Techniques in the white lead section, and indeed, since 1994, the material has been banned from sale within the European Union except under special conditions.[1] Today many traditional potters use non-lead glazes, but in the seventeenth and eighteenth…
A widespread interest in exoticism and eclecticism took hold in the late nineteenth century during a period known as the Aesthetic Movement. There was a rediscovery of the Golden Age of Delftware as collectors and intellectuals sought out objects designed in an orientalist style. This marked the first serious attempt to assemble, classify and study…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome three-piece garniture that demonstrates the use of cold-painted bright red. It was made around 1700 by De Paauw (The Peacock) Factory in the city of Delft. Although many factories used cold painted decoration,…
The windmills that dot the landscape of the Netherlands are as familiar as the local tulips, wooden shoes, and cheese. While they are visually charming and recall a past era, the invention of windmills shaped the Netherlands and its inhabitants. Windmills have existed in many different shapes in Europe since 1050. Structural mills with horizontal…
The range of colors seen on 18th century Delftware were achieved through various techniques, using skills honed throughout many years. Not every paint color could be realized in a single firing process, and there were often several rounds in the kiln. Ceramics painted with grand feu colors of blue, green, and yellow were fired at…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this remarkable blue and white figure of Atlas (circa 1710). The god, depicted as an older, bearded man, kneels on a pedestal and gazes upward. Although many people think Atlas is carrying the globe, or the world,…
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