Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Oriental porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Oriental potters.
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.
Delft, circa 1760 | 15.2 cm. (6 in.) high
Exhibited: Rijksmuseum Amsterdam, Tentoonstelling van Oude Kunst, 1929
“Their richly colored plumes captivated European imaginations, as did their unusual anatomic, for the legs of the birds had been removed during their preservation. This gave rise to European speculation that the birds, unable to alight, mustremain perpetually in flight, suspended between heaven and earth.”
Seen at TEFAF Maastricht 2020
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MUSEUM COLLECTIONS
Dutch Delftware in Museum Collections
As Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries, it is represented in many museums worldwide. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Read more about the Delftware collections in museums in this section.
IN OUR WEBSHOP
Visit delftmuseum.com
Over the past decades several generations of the Aronson family have been able to procure the rarest and often unique Delftware objects. These objects still are of museum quality, even though some now reside in private collections, besides those in the international public domain. The combined force of these objects becomes apparent when they are placed side by side. This virtual exhibition of the finest objects measures up to the greatest international collections.
DISCOVER
Dutch Delftware
Because of its remarkable diversity of shapes, the delicacy of the decoration and the gaiety of its colors, Dutch Delftware became the source of inspiration for many ceramic centers throughout Europe, which endeavored to work in the Delft style (history).
Since 1881 and over five generations Aronson Antiquairs has shared the passion for Dutch Delftware with private collectors and museum and corporate curators around the world. The Aronson family members have strived to gain and maintain the confidence of its clientele to collect the finest Delftware available.
Visit delftware.com
On this website dedicated to antique Delftware and everyone influenced by it, we share the latest news, information that is either nice-to-know or if you are a loyal follower even need-to-know. Also you will be able to find information on museums internationally that display Delftware objects or publications writing about the subject. We invite you to visit the website and see our world from a different angle.
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![Today we’re presenting you a late eighteenth century garniture decorated with a small dog trying to catch a perched parrot . The decoration is inspired by a design attributed to Cornelis Pronk (1691-1759), painter and porcelain designer. Furthermore, each vase is marked with a claw, L.S. and numeral 80 for Lambertus Sanderus, the owner of De Klaauw (The Claw) factory from 1763 to 1806.
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In 1764 the city council of Delft issued every potter to register their trademark; this is documented in the ‘Merken van de M. Plateelbakkers Binnen Delft' (‘Marks of the M[aster] Potters of Delft’). The document was made to avoid unfair competition. As is seen on this garniture, Lambertus Sanderus chose a stylised claw, that is sometimes accompanied by his initials. Find out more about De Klaauw factory through our website (link in bio).
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Polychrome garniture
Each vase marked with a claw, L.S. and numeral 80 for Lambertus Sanderus, the owner of De Klaauw (The Claw) factory
Delft, circa 1790
Heights: 25.5 and 35.8 cm. (10 and 14.1 in.)
Object no. D1893
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Detail of ‘Merken van de M. Plateelbakkers Binnen Delft 1764’
Signed by Lambertus Sanderus on April 20, 1764
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#Delftware #notonlyblueandwhite #garnitures #antiquegarnitures #antiques #Amsterdam #antiques #Delft #history #arthistory #eighteenthcentury](http://scontent-amt2-1.cdninstagram.com/v/t51.2885-15/e35/s320x320/92175435_254690488901836_3089432022480751059_n.jpg?_nc_ht=scontent-amt2-1.cdninstagram.com&_nc_cat=104&_nc_ohc=fssseZcPhpcAX_Kkkqk&oh=fce5f7898e4212c52d5fa13790f42ce0&oe=5EB6B1A1)
Robert Aronson is certified accountmanager applied arts (toegepaste kunst) for the Landelijke Deskundigheidsmakelaar (LDM) part of the Dutch Police academy.
