Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Oriental porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Oriental potters.
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.
A unique online exhibition on one of the most successful Delftware factories, ‘De Grieksche A’. The factory was known for its innovative models and craftsmanship.
Discover some of the finest objects produced by The Greek A Factory from both the 17th and the 18th century and find out more about the owners and their individual contributions.
COLLECTION
IN OUR WEBSHOP
Visit delftmuseum.com
Over the past decades several generations of the Aronson family have been able to procure the rarest and often unique Delftware objects. These objects still are of museum quality, even though some now reside in private collections, besides those in the international public domain. The combined force of these objects becomes apparent when they are placed side by side. This virtual exhibition of the finest objects measures up to the greatest international collections.
RECENT BLOG ARTICLES
Delftware Brush Backs
Brush backs are rare surviving utilitarian objects that were made by Delft potters in imitation of the more expensive silver prototypes. Intended as clothes brushes,…
Henry Havard’s Studies on Delftware
The work of the French art historian Henry Havard paralleled the rising appreciation and collection of Dutch Delftware in the mid to late nineteenth century.…
Milk and Blood Porcelain and Delftware
Melk en Bloed, “Milk and Blood,” is the Dutch name for a special decoration on East Asian porcelain, in which the colors iron-red and gold…
Visit delftware.com
On this website dedicated to antique Delftware and everyone influenced by it, we share the latest news, information that is either nice-to-know or if you are a loyal follower even need-to-know. Also you will be able to find information on museums internationally that display Delftware objects or publications writing about the subject. We invite you to visit the website and see our world from a different angle.
DISCOVER
Dutch Delftware
Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Because of its remarkable diversity of shapes, the delicacy of the decoration and the gaiety of its colors, Dutch Delftware became the source of inspiration for many ceramic centers throughout Europe, which endeavored to work in the Delft style (history).
Since 1881 and over five generations Aronson Antiquairs has shared the passion for Dutch Delftware with private collectors and museum and corporate curators around the world. The Aronson family members have strived to gain and maintain the confidence of its clientele to collect the finest Delftware available.
NEWSLETTER
AFTER SIGNING UP, YOU WILL RECEIVE AN EMAIL WITH CONFIRMATION LINK. WE STRIVE TO NOT SEND OUT MORE THAN ONE EMAIL PER MONTH.
VIDEO
In March 2019 Robert Aronson was asked to participate in a commercial for a political party in the Netherlands. In the commercial prime minister Mark Rutte comes to an enacted antiques roadshow table hosted by retired Dutch politician and current president of the Dutch Olympic Committee*Dutch Sports Federation Erica Terpstra. They seek expertise of ‘vase expert’ Robert Aronson, who tells them, and the viewers, that we see an authentic 21st century vase with typical Dutch elements. When our prime minister is asked about its value and he replies ‘invaluable’, Robert answers that we do not need to have a debate about that.
![In Jan Luyken’s print of ‘De Schuyermaaker’ (‘The Brush Maker’) from the 1694 emblem book Het Menselyk Bedryf (The Book of Trades), various oval brushes can be detected. Brush backs are rare surviving utilitarian objects that were made by Delft potters in imitation of the more expensive silver prototypes. Intended as clothes brushes, these practical objects were “often given as bridal gifts [and] may bear a date or a monogram, but since they were not signed, the makers…remain anonymous”.
Find out more about these and other interesting facts in our upcoming #delftware newsletter. Signup on aronson.com and we’ll be happy to send it to you coming Friday.
#newsletter #facts #essay #article #brush #brushback #antique #art #blueandwhite #notonlyblueandwhite #janluyken #brushes](http://scontent-amt2-1.cdninstagram.com/vp/8df66aa5c221b2f6b9c6f23dad2f86ec/5DAE772E/t51.2885-15/e35/s320x320/66515747_108656500310751_5048440433415209268_n.jpg?_nc_ht=scontent-amt2-1.cdninstagram.com)
Robert Aronson is certified accountmanager applied arts (toegepaste kunst) for the Landelijke Deskundigheidsmakelaar (LDM) part of the Dutch Police academy.
