PASSION FOR DUTCH
DELFTWARE
HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.
PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.
COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.
AUGMENTED REALITY (AR)
Now you do not need to see the actual object, you may study an ever growing portion of our collection in Augmented Reality (AR).
See the video below, click on the AR logo in the menu bar or visit this page to learn more about this wonderful new technology. Try it out by clicking the AR logo to the top right of the revolving object besides and discover that it truly a magical experience.
OBJECT OF THE MONTH
RECENT ARTICLES
The Evenepoel Collection at the Art & History Museum in Brussels by Valérie Montens
In 1911, Albert Evenepoel (1835–1911) bequeathed his formidable collection of Dutch earthenware to the Museum of Decorative and Industrial Art in his home town. This…
Delftware Flower Vases
In 1677, Mary Stuart (1662-1694), daughter of James, Duke of York and future James II, arrived in Holland after a treacherous journey from England. She…
The Tudor Rose on Delftware
The Tudor rose, which is sometimes also called the Union rose, is the traditional floral heraldic emblem of England. Its name and origins come from…
MUSEUM COLLECTIONS
As Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries, it is represented in many museums worldwide. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Read more about the Delftware collections in museums in this section.
VIDEO EXPLANATIONS
With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.
OTHER
Robert Aronson is certified accountmanager applied arts (toegepaste kunst) for the Landelijke Deskundigheidsmakelaar (LDM) part of the Dutch Police academy.
