Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome model of a child in a high chair, from circa 1770. Traditionally Delft little high chairs and other models of nursery furnishings, such as cradles and fire baskets, were given as gifts to celebrate an engagement…
Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC).…
During the seventeenth and eighteenth centuries fine dining was an exceedingly important social ritual, and the accompanying accessories were reflective of the owner’s status. The well-laid table was the culmination of splendor. However, dining traditions changed during these centuries and the Delft potters quickly accommodated the new tastes of the nobility and the wealthy bourgeoisie…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome figure of a butter vendor from 1760. Butter has been a major dairy product produced by the Netherlands for centuries, especially in the province of South Holland, near the cities of Leiden and Delft. The preparation…
The French architect, designer and engraver Daniel Marot (1661-1752) was born into a family of artists and craftsmen. His grandfather, Girard Marot, was a cabinetmaker and his father, Jean Marot was named architect of King Louis XIV. Jean Marot (1619-1679) is well known today for his contribution to seventeenth-century French architecture. In 1686, Daniel Marot…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this blue and white charger from circa 1670. The importation of Chinese porcelain was halted after civil unrest in China during approximately forty years, starting from 1644. This opened up a great opportunity for Delft potters, whose faithful…
The individual potters, painters and decorators of Dutch Delftware have largely remained anonymous as the makers’ marks inscribed on objects typically refer to the factory owners. There are a few rare exceptions, for example Frederik van Frijtom, who sometimes signed his work with his name or initials. Another known painter is a man with the…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome armorial plate from circa 1760. The arms and crest are those of Webster, Baronets of Battle Abbey, Co. Sussex, whose baronetcy was created in 1703, but became extinct in 1923. From the date of this…
Despite the Portuguese importations of Asian goods starting in the early sixteenth century, Chinese porcelain was rarely seen in Europe before 1600. The small quantities of porcelain that were imported to Europe were rare and expensive, and almost exclusively collected by the nobility. In 1600, the market for Chinese porcelain changed significantly when the Dutch…
The Dutch East India Company rarely encountered problems trading Chinese porcelain until circa 1645, when civil unrest in China increasingly hampered the VOC’s business. The production of porcelain was almost stagnated in Jingdezhen, supply routes were severed, and the VOC lost Formosa as a trading base in 1661. Since the Dutch East India Company had…
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