Tulipieres for spring: still groundbreaking
Featured in the Financial Times
April 15, 2025
RECENT PUBLICATIONS
Asian Influences on Delftware
Despite the Portuguese importations of Asian goods starting in the early sixteenth century, Chinese porcelain was rarely seen in Europe before 1600. The small quantities of porcelain that were imported…
Musée Benoît De Puydt and Eighteenth-Century Ceramics from Northern Europe by Chloé Jacqmart
The extraordinary legacy behind the creation of the museum of Bailleul in 1859 is remarkably eclectic, while drawing on the identity of its collector, Benoît De Puydt. This collection testifies…
De Roos (The Rose) Factory
De Roos (The Rose) factory was built on the west side of Noordeinde street in Delft in 1661. A lease from 1662 offers an early glimpse of a well-run company…
The Evenepoel Collection at the Art & History Museum in Brussels by Valérie Montens
In 1911, Albert Evenepoel (1835–1911) bequeathed his formidable collection of Dutch earthenware to the Museum of Decorative and Industrial Art in his home town. This generosity was the culmination of…
TEFAF MAASTRICHT
Discover the story behind our monumental 17th-century Delft Flower Pyramid, once in the collection of Cecil Beaton and now acquired by the Cleveland Museum of Art — as featured by TEFAF.
“New collectors have a unique opportunity in the decorative arts to survey an accessible field, find an entry point they’re comfortable with, immerse themselves in research and exploration, and embark on a very enjoyable collecting journey.” — Robert Aronson in an interview for TEFAF Online
OBJECT OF THE MONTH
PASSION FOR DELFTWARE
17th & 18th Century Delftware, Unique by Definition
HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.
PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.
COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.
MUSEUM COLLECTIONS
As Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries, it is represented in many museums worldwide. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Read more about the Delftware collections in museums in this section.
VIDEO EXPLANATIONS
With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.
Robert Aronson is the fifth-generation director of Aronson Antiquairs and a leading authority on 17th- and 18th-century Dutch Delftware. After beginning his career at Sotheby’s in London, he transformed the family firm into a globally respected gallery, advising museums such as the NGV in Melbourne, The Met in New York, and the Cleveland Museum of Art.
He currently serves, amongst others, as a specialist in European ceramics on the Dutch Antiques Roadshow (Tussen Kunst & Kitsch), as a board member of the Royal Delft Museum, and as an expert within the European Commission’s Cultural Heritage working group. He is also a certified account manager for applied arts with the Dutch Police Academy’s national expertise network (LDM). Formerly Chairman and member of TEFAF’s Executive Committee, three-term chairman of the Royal Dutch Fine Art Dealers Association (KVHOK), and member of a national commission advising the Dutch government on art and antiques, Robert continues to shape the field through scholarship, connoisseurship, and international collaboration.
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