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Delft Blue And White Ceramic Vase

Samuel van Eenhoorn

In 1678 Samuel van Eenhoorn inherited from his father one of the most famous and prestigious Delftware factories that history records, De Grieksche A (The Greek A). The family adventure started in 1658 when Wouter van Eenhoorn - Samuel’s father - bought what originally was a beer brewery. This particularly seasoned businessman already owned several…

Antique Pair Of Monkey Figures By Lambertus Van Eenhoorn At Aronson Antiquairs

Monkey Business in Dutch Delftware

With 2016 being the Year of the Monkey in Chinese astronomy, we would like to pay some extra attention to the monkey in Dutch Delftware objects. With their high intelligence and their humanlike behaviour in which we can recognize our own, monkeys and apes were either loved or hated. In art, from the fourteenth throughout…

Antique Tureens Of Swans Aronson Antiquairs

The King of the Waterfowl

Over the centuries and throughout the arts the swan has symbolized beauty, elegance and perfection. Celebrating the popularity and the status of the noble swan, it is no surprise that historically the majestic bird often was chosen to decorate the table during a dinner party given by a prosperous family. As the hunt for this game…

The Poisonous Manufacture of Delftware

‘Do not ingest, do not breath dust’ warns Ralph Mayer in The Artist’s Handbook of Materials and Techniques in the white lead section, and indeed, since 1994, the material has been banned from sale within the European Union except under special conditions.[1] Today many traditional potters use non-lead glazes, but in the seventeenth and eighteenth…

Antique Cashmire Palette Octagonal Garden Urns

The ‘Cashmire’ Palette

A widespread interest in exoticism and eclecticism took hold in the late nineteenth century during a period known as the Aesthetic Movement. There was a rediscovery of the Golden Age of Delftware as collectors and intellectuals sought out objects designed in an orientalist style. This marked the first serious attempt to assemble, classify and study…

Windmills

The windmills that dot the landscape of the Netherlands are as familiar as the local tulips, wooden shoes, and cheese. While they are visually charming and recall a past era, the invention of windmills shaped the Netherlands and its inhabitants. Windmills have existed in many different shapes in Europe since 1050. Structural mills with horizontal…

Cold Painting in Red

The range of colors seen on 18th century Delftware were achieved through various techniques, using skills honed throughout many years. Not every paint color could be realized in a single firing process, and there were often several rounds in the kiln. Ceramics painted with grand feu colors of blue, green, and yellow were fired at…

Pieter Schenk, 's Lands Zeemagazijn En De Admiraliteitswerf Op Kattenburg

VOC and the Asian Trading Routes

The Dutch East India Company, or the VOC for short (Verenigde Oost Indische Compagnie) was established by charter in 1602. The VOC was first organized to profit from the East Asian spice trade in which the Portuguese already had a stronghold. During the 16th century, the Portuguese established a wide network with settlements in Sri…

Delftware Blue And White Rectangular Plaque Aronson Antiquairs

Delft Plaques, a Window Open onto the World

Dutch Delftware plaques stand out amongst the many examples produced during the 17th century for their extreme delicacy and meticulousness. The "porcelain paintings,” as they were referred to in household inventories, were intended to be admired as if they were paintings on panel, canvas or copper. Unfortunately, because of their similarity in appearance to prints…

Antique Polychrome Melon Tureens For Dining, And The History Of Delftware And Dining Explained At Aronson Antiquairs

Trompe l’oeil Amusements

Trompe l’oeil, or deceive the eye, was a technique used in both modeling and painting Delftware to captivate and fool the viewer. One of the predominant centers of production of these naturalistic forms was Delft, where the city’s potteries quickly accommodated the new taste of the nobility and the wealthy bourgeoisie for adorning their tables…

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