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While we are in New York for the Winter Antiques Show (Jan. 19 thru 28) you may also reach us on cell 646-415-2561.

The Display of Flowers

The study of botany and natural sciences was a growing interest in the Netherlands during the seventeenth century. The VOC imported rare and exotic flowers to the region and helped develop their fascination amongst wealthy patrons. A few of the most beloved and expensive floral varieties were the yellow rose, the passion flower and the…

Willem & Lambertus Cleffius

The Delftware industry reached a pinnacle of success amongst European earthenware makers by the second half of the seventeenth century. Very rapidly, the number of factories producing Delftware dramatically increased. At first, the market was mostly dominated by families of craftsmen whose knowledge was built on generations of experience. However, the Delftware industry soon attracted…

Scenes of Overindulgence

Still lifes, portraits and landscapes predominate in seventeenth century paintings. In the Low Countries, genre paintings enjoyed a distinct popularity, with paintings showing scenes of ordinary people engaged in common activities. Scenes of drinking were a recurring theme in Dutch genre painting beginning in the sixteenth century. Reveling peasants and country people at the tavern…

Pieter Adriaensz. Kocx & Johanna van der Heul

On January 24, 1701, the Kocx family celebrated a momentous occasion. The day marked the transfer of ownership of the prosperous factory De Grieksche A (The Greek A) from Adrianus Kocx to his son, Pieter Adriaensz. Kocx. A festive dinner attended by the entire staff was organized to celebrate the event.[1] Pieter van Hurk, who…

The Distribution of Dutch Delftware

Although quite a lot is known about the history and production of Delftware, one lingering question has been how these objects were distributed. Where were they sold after they left the factory? Many times, the pottery was sold directly from the factory. Delft factory owners often lived in buildings that faced the street, while the…

Decorations in ‘Petit Feu’ Colors

The colorful Imari and Kakiemon Japanese porcelain wares reached the Netherlands between 1660 and 1670. They were immensely popular in the Western market, yielding high prices and inspiring Delft potters to emulate the colorful designs. In particular, Delft potters were driven to reproduce the delicate pastels of the Kakiemon porcelains, experimenting with various color and…

Frederik van Frijtom

Delftware painters were among a highly esteemed group of craftsmen, whose expertise and creativity determined the look of the finished earthenware pieces.[1] Unfortunately, many of their names have been lost throughout history because they did not sign their work and the records for the potteries refer almost exclusively to the factory owners. One rare exception…

The Nijstad Collection

The Nijstad family has been deeply wedded to art and antiques for as long as anyone can remember. They channeled this passion into a successful business, decades before Hartog ‘Harts’ and Kitty Nijstad developed a magnificent collection of Dutch Delftware in the twentieth century. In 1862, Abraham Nijstad (1835-1903) began a humble antiques business in…

Adrianus Kocx

De Grieksche A (The Greek A) is considered as one of the most famous and prestigious Delftware factories of the Dutch Golden Age. The different owners have contributed, each their own way, to build what became a real institution. From 1678 to 1685, Samuel van Eenhoorn masterfully managed the factory that he had previously inherited…

‘Wapengoet’: Armorial Wares

The wide assortiment that the Delft potters offered their clients contained also so-called ‘wapengoet’ or ‘armorial wares’, which were often commissioned for special occasions, such as a birth or a wedding. Made in Spanish lustreware and Italian maiolica since the fifteenth century, these objects have a long and storied history. The style was adopted in…

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