This odd-looking Dutch Delftware form is called a “monteith.” Monteiths were large bowls with scalloped rims that allowed wineglasses to suspend in chilled water. Their first appearance in 1683 is described by Oxford diarist Anthony à Wood (1632-1695), who wrote: “This yeare in the summer time came up a vessel or bason notched at the…
The initial donation of a Delft eighteenth century plate in 1882 to the Pennsylvania Museum and School of Industrial Art (renamed the Philadelphia Museum of Art in 1918) provided the foundation for a collection of Dutch earthenware that now numbers over one hundred andtwenty five pieces. The unusual orange and blue decoration of this circa…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show this polychrome petit feu nursery set. This delicately painted nursery set was made around 1725 in the city of Delft. It comprises a cradle, a high chair, a baby walker and a so-called 'bakermand' (nursery basket),…
Blue and white vases with spouts filled with multi-colored flowers are a stunning visual sensation. Perhaps due to their exclusive ownership and the short-lived nature of flowers, only a few depictions exist of how these vases were used in the late seventeenth century. An important visual source for their use is seen on two embroidered…
By around 1660 the fame of the Delft faience potters had spread far beyond the borders of the Dutch Republic. Delft earthenware was a prized possession of European monarchs. One such example is provided by the Delft dishes with coats of arms created for the court of the powerful French king Louis XIV. Under this…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show this polychrome petit feu and gilded plate. This delicately painted plate was made around 1730 in the city of Delft. It is executed in the so-called petit feu technique. The petit feu firing was one technique…
In 1950 The Metropolitan Museum of Art received two earthenware plaques from R. Thornton Wilson (1886- 1977). These pieces were part of an important gift of European porcelain and faience collected by the donor specifically for the Museum. In fact, some of the best examples of Dutch Delftware in the Met’s holdings came from the…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to show you this pair of blue and white salt cellars marked for Lambertus van Eenhoorn from circa 1710. Salt has been an invaluable commodity for thousands of years, used to preserve and flavor food and traded as…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this blue and white tobacco box from circa 1765. A robust international trade network brought all types of exotic treasures to the Netherlands in the seventeenth century. The two major trading groups were the Dutch…
The blue-and-white ceramic was long sought and loved worldwide, particularly since the introduction of Chinese blue-and-white porcelain in Europe in the fifteenth century. The arrival of Chinese porcelain triggered European potters to produce imitations of this unique Chinese product since the seventeenth century. In Delft, the imitation process first occurred in about 1620-1630 when a…
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