Dutch seaborne trade and the spread of Delft faience in the Baltic region (Fig. 1) Tulipière, Delft, circa 1690, marked AK for Adrianus Kocx, owner of 'De Grieksche A' (The Greek A) from 1686 until 1701, Collection of Museum für Kunst und Gewerbe in Hamburg, Inv. nr. Inv. nr 1891-282 The mother of…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to highlight this blue and white jar from circa 1700. The present jar can be attributed to De Drie Postelyene Astonne (The Three Porcelain Ash- Barrels) factory under the ownership of Gerrit Pietersz. Kam based on its…
The leading Ladies of the Delft pottery industry in the seventeenth and eighteenth centuries Based on sixteenth and seventeenth century travel reports, Dutch women were bossy, decisive, dominant, imperious, and exceptionally clean.(1) While these claims were likely exaggerated, they would have stemmed from the astonishment over the extensive freedom enjoyed by Dutch women compared their…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to highlight this Oval-Shaped Blue and White Plaque. 't Fortuyn (The Fortune) factory experienced its peak of popularity during the second half of the eighteenth century. In 1753 Pieter van den Briel bought the factory from Adam…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to highlight this large, complete and special tureen from circa 1780. During the seventeenth and eighteenth centuries fine dining was an exceedingly important social ritual, and the accompanying accessories were reflective of the owner’s status. The well-laid…
We recently acquired a very rare, large Delft tureen with cover and stand. The stand and body are decorated in monochrome manganese, and the cover with a green and ochre knop. Traditionally, research has favored the origins of Blue and White Delftware, Imari- and Cashmere palettes, White Delft and objects decorated with Petit-Feu colors. However,…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to show you this Pair of Polychrome Cartouche Shaped Plaques from circa 1790. The “porcelain paintings,” as they were referred to in household inventories, were intended to be admired as if they were paintings on panel, canvas…
Attributing marks to the Witte Ster (the White Star) factory and in particular to a specific persons, has been difficult over the years due to limited archival material. Henry Havard, a French art critic and researcher made the first attempt to attribute marks when he produced a catalogue for the Delftware collection of the famous…
Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to show you this polychrome shield-shaped plaque from circa 1760. This plaque is a great example of the trompe l'oeil (deceive the eye) technique. "A trompe l'oeil is meant to create an optic illusion. Already in the Roman…
Natural disasters have wreaked havoc on civilizations throughout time. The effects of devastating earthquakes in Turkey and Syria are still felt today. On a smaller scale, a recent earthquakes in the Dutch province of Groningen was very impactful for the people involved. Although rare, several earthquakes were reported in Western Europe in the seventeenth century.…
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