Antique Polychrome Figures Of A Hurdy-Gurdy Player And A Shepherd

The Influence of Giambologna

The study of Delftware will bring you far beyond the Dutch borders, as the objects make multiple references to other cultures. The exchange of knowledge and motifs between the ceramic centres are well-known and documented. However, little is known about the influence that European sculptors had on Dutch Delftware. In the eighteenth century, Delft potters…

Antique Dutch Delftware And The Shades Of Blue In The Delftware Explained At Aronson Antiquairs

De Witte Ster Factory During the Eighteenth Century

At the beginning of the eighteenth century, De Witte Ster (The White Star) was owned by Henricus Cleffius and Dirck Witsenburgh. During this period, objects of a remarkable quality were produced. However, the company encountered financial troubles. In order to pay back its creditors, the factory was sold in 1705 to Dammas Hoffdijck and Jacobus de…

Antique American Union Tobacco Jar Delftware

Blue and White Tobacco Jar

Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this blue and white tobacco jar, from circa 1790. The tobacco jar is marked with an axe for De Porceleyne Byl (The Porcelain Axe) factory. The decoration on this tobacco jar, depicting the obverse of the Great…

Aronson Antiques Dutch Delftware

Extraordinary Delftware Advertisements

The function of plates and plaques painted in a yellow ground and decorated with garnitures, cuspidors, teapots and other ceramic objects arranged in several rows is uncertain. The rare objects have probably functioned as sample plates, although there are no archival records to support this assumption. Sample plates may have been used by potteries to…

Strollers In The Large Garden Of Het Loo Palace Made By Jan Van Call

Delftware in the Baroque Garden

In the seventeenth century, the baroque taste was fully integrated in almost all aspects of the built environment, including architecture, interior design and the garden. The formal or Baroque garden was designed after the spectacle of Versailles and evolved in Italy and France in the early seventeenth century. The immense gardens of Louis XIV, designed…

Delftware Antique Black And White Ewer

Blue and White Ewer

Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this blue and white ewer, from circa 1685. The ewer is marked for Lambertus Cleffius, who was the owner of De Metaale Pot (The Metal Pot) factory from 1679 to 1691. Lambertus Cleffius joined De Metaale Pot…

Delftware Factory Marks De Klaauw

De Klaauw Factory: Through Time and Fashion

De Klaauw is among the most prosperous and longest running Delftware factories. Throughout its existence, the successive owners and managers succeeded by adapting to the changing demands of the market and the varied clientele. In the sixteenth century, the city of Delft was famous for its textile and brewing industries. At its apogee, the city…

Jan Steen Painting Het Oestereetstertje

Delftware in Seventeenth-Century Paintings

Although porcelain features in hundreds of seventeenth century Dutch still life paintings, paintings portraying Dutch Delftware are more rare. During the seventeenth century Dutch artists had easier access to Chinese porcelain, which was imported to the Netherlands by the Dutch East India Company (VOC) at the beginning of the century. Meanwhile, the production of Delftware…

White Delftware Miniature Figures Antique

Pair of Blue and White Miniature Figures

Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this pair of blue and white miniature figures from circa 1700. Chinoiserie is a term used to describe Western art, ceramics, furniture, and architecture designed to evoke Chinese motifs and techniques. Two factors had a significant impact…

Daniel Marot, Rijksmuseum, Amsterdam Garniture Delftware

Delftware in the Royal Interior

In the seventeenth century, interior design was used as a means of image cultivation by the Royal court, and especially by women. Lavishly decorated grand kitchens, bathrooms and the most sensational of rooms, the porcelain room (or the chinoiserie cabinet) communicated the wealth and prestige of its inhabitants. These designated rooms for porcelain, and later…