skip to Main Content

While we are in New York for the Winter Antiques Show (Jan. 19 thru 28) you may also reach us on cell 646-415-2561.

Delftware Factory Marks

Beginning in the early 1680s, Delft potteries began to mark their wares with either the pottery owner’s initials or the name of the factory. While not every object from this period is marked, it is possible to gain an understanding of the technical and artistic achievements of specific factories based on the marked wares from…

Nicolaes Berchem

Nicolaes Pietersz Berchem (1622-1683) was a prolific Dutch painter and draughtsman, producing over 800 paintings and at least 57 etchings.[1] His work was greatly esteemed and prints after him are numerous. These prints were used as wall decoration, were collected in books but also were used by artists as models. Undeniably, prints by or after…

De Witte Ster Factory

Located in the west side of Oude Delff street, De Witte Ster (The White Star) factory was formerly a brewery. In 1660, two brothers-in-law, Willem Cleffius and Gijsbrecht Lambrechtsz. Cruyck, combined their assets to purchase a portion of the brewery. The two men, one an Amsterdam merchant, the other a Delft potter, had the collective…

Orangist Delftware

Delftware objects displaying Dutch monarchs, royal coats of arms and symbols of the Royal House, such as the orange tree, are known as Orangist Delft. Amongst the first Orangist Delft were the painted tile portraits of Prince Maurice (the stadholder of all the provinces of the Dutch Republic except for Friesland from 1585 to 1625), Frederick Henry…

Tulip Mania

During the Dutch Golden Age, the craze for tulips was so high that their price exceeded the value of a canal house in Amsterdam. Several others tales illustrate the tulip phenomenon, although the line between fact and fiction is often blurred. In one exaggerated account from the 1630s, a sailor was imprisoned for eating a…

Proto-Delft

Proto-Delft is an interesting group of Dutch earthenware that is the forerunner of Delftware. It is applied to the group of objects made in the transitional period between the exclusive manufacture of majolica and the early years of faience production (ca. 1629-1669).[1] The Dutch majolica potters were faced with competition after the arrival of Chinese…

Collecting Delftware

Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC).…

Dining Traditions

During the seventeenth and eighteenth centuries fine dining was an exceedingly important social ritual, and the accompanying accessories were reflective of the owner’s status. The well-laid table was the culmination of splendor. However, dining traditions changed during these centuries and the Delft potters quickly accommodated the new tastes of the nobility and the wealthy bourgeoisie…

The Decorative Designs of Daniel Marot

The French architect, designer and engraver Daniel Marot (1661-1752) was born into a family of artists and craftsmen. His grandfather, Girard Marot, was a cabinetmaker and his father, Jean Marot was named architect of King Louis XIV. Jean Marot (1619-1679) is well known today for his contribution to seventeenth-century French architecture. In 1686, Daniel Marot…

The Characteristic Works by G. Verhaast

The individual potters, painters and decorators of Dutch Delftware have largely remained anonymous as the makers’ marks inscribed on objects typically refer to the factory owners. There are a few rare exceptions, for example Frederik van Frijtom, who sometimes signed his work with his name or initials. Another known painter is a man with the…

Back To Top
X