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Constructed in the 1740s as a symbol of aristocratic sophistication, Fairfax House is one of England’s most complete surviving examples of Georgian urban architecture. Commissioned by Charles Gregory Fairfax, 9th Viscount Fairfax of Emley, the house was designed as a winter residence in the vibrant city of York. Its interiors were shaped by the hand of John Carr, Yorkshire’s most celebrated eighteenth-century architect, whose neoclassical aesthetic imbued the house with symmetry, grace, and grandeur.

Following the death of the Viscount, Fairfax House entered a long period of functional repurposing, serving at various times as a club and a cinema. It was not until the late twentieth century that a comprehensive and faithful restoration, led by the York Civic Trust, returned the building to its original splendor. Today, Fairfax House serves as both a museum and a living evocation of elite Georgian domestic life.

Photo by J. Ruda

Central to the identity of Fairfax House is the Noel Terry Collection, one of the most important private assemblages of Georgian decorative arts in Britain. Noel Terry, a descendant of the famed York-based chocolate manufacturing family, was a discerning collector whose passion lay in recreating the environment of an eighteenth-century townhouse with academic fidelity.

The collection comprises exquisite examples of English furniture, clocks, porcelain, silver, and glass, all carefully curated to reflect the refinement and cosmopolitanism of the Georgian period. What sets the Fairfax House experience apart is its immersive nature: the objects are not presented in isolation but integrated into fully furnished period rooms, where they engage in a visual dialogue with their architectural surroundings.

Among the many treasures in the collection is a particularly elegant Dutch Delftware vase, which adds an international accent to the narrative of English domestic taste.

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