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View of Delft collection at The Winter Antiques Show, New York, 1995
View of Delft collection at inaugural booth at The Winter Antiques Show, New York, 1995

In January 2024, Robert Aronson stands at the threshold of a remarkable achievement – Aronson of Amsterdam’s 30th year of showcasing Dutch Delftware at the prestigious platform of New York City’s art scene, The Winter Show. As he prepares to mark this significant milestone, it’s the perfect time to look back at the path that led him here, a path interwoven with history, passion, and the enduring allure of Delftware.

Robert Aronson’s journey began in a different time and place. In 1990, fresh out of college, he embarked on his art career in the heart of London at the renowned Sotheby’s. Just before June 1991, John Suval, a dear colleague and friend of the Aronson family, extended an invitation for him to assist at the annual International Ceramics Fair organized by the distinguished Brian and Anna Haughton. This pivotal moment would kindle an intense passion, ultimately propelling them across the Atlantic.

In 1992, Robert Aronson’s late father, Dave Aronson, and he embarked on their inaugural voyage to London for the Ceramics Fair. Here, the exquisite charm of Delftware unfolded before a captivated audience, including the ever-enthusiastic American visitors who became further enchanted by this delicate and distinctive Dutch ceramic tradition. In 1994, fueled by their ardor for sharing the beauty of Delftware with the world, they reached out to what was then called the Winter Antiques Show, expressing their desire to be part of this prestigious event.

Serendipity played its role as The Haughtons had already established The International Fine Art and Antique Dealers Show in 1989, reflecting the global expansion of art appreciation. The Winter Show, with its forward-looking approach, had already set its sights on embracing international dealers, and they eagerly accepted their invitation in 1995. With pride, Robert Aronson introduced themselves as ‘Aronson of Amsterdam,’ a name reflecting their Dutch heritage.

In 2002, Aronson of Amsterdam, in solidarity with fellow exhibitors, made a noteworthy transition from the usual location, the Seventh Regiment Armory on Park Avenue, to the Hilton Hotel on Sixth Avenue. This pivotal shift, undertaken just months after the tragic events of September 11, 2001, exemplified the art community’s resilience—a poignant testament to the enduring strength of culture and creativity in the face of adversity.

Robert Aronson talking to client, 1995

Robert Aronson talking to client on phone at the booth at The Winter Antiques Show, New York 1995 (Photo taken by late Dave Aronson)

As Robert Aronson’s journey progressed, 2007 brought a poignant chapter as his father, Dave, peacefully departed days before the fair, on January 5th. The organizers of The Winter Show exhibited remarkable understanding and compassion, acknowledging their need for a moment of reflection.

Throughout Robert Aronson’s years at The Winter Show, his journey was marked not only by participation but also by the extraordinary encounters he experienced within the walls of their exhibit. They met new clients and had the privilege of parting with some extraordinary Delftware objects, a few of which are shown separately. Notably, their exhibit attracted global attention, exemplified by Oprah Winfrey’s visit, where she engaged in a captivating conversation with Robert Aronson’s mother, Irene, on camera. Further recognition came when Martha Stewart sought his expertise to illuminate the world of Delftware on her show, underscoring the widespread appeal of their collection.

Flower vase, Delft, circa 1690, sold to Metropolitan Museum of Art
Flower vase, Delft, circa 1690, sold to the Metropolitan Museum of Art

In 2024, as The Winter Show commemorates its 70th anniversary and Robert Aronson celebrates their 30th year of participation as Aronson of Amsterdam, it’s a moment for reflection and celebration. Their journey has been marked by the enduring allure of Delftware, reflecting the unyielding dedication of the Aronson family to art and culture.

In conclusion, the 30-year history of Aronson of Amsterdam at The Winter Show is more than a chronicle of time well-spent. It is a testament to the lasting legacy of a family business, dedicated to the world of art, and a testament to the remarkable ability to bridge cultures and inspire the imaginations of art enthusiasts on both sides of the Atlantic. The vision and unwavering commitment have firmly established Aronson of Amsterdam as a global ambassador for the exquisite world of Dutch Delftware.

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