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•D2359. Pair of Polychrome Figural Salt Cellars

Delft, circa 1770

The modeled female figure wearing a broad-brimmed manganese hat on her blue hair, a green bodice with a blue stomacher above a blue floral patterned yellow skirt revealing one yellow-buckled iron-red shoe; and a modeled gentleman wearing a manganese tricorn hat on his swept-back blue hair, a yellow-buttoned green coat over a blue waistcoat, blue breeches and yellow-buckled manganese shoes; each holding a yellow and blue-striped diaper-work basket and cover surmounted by a yellow and iron-red flowerhead.

Height: 14.5 cm. (5.8 in.)

Aronson Antiquairs, Amsterdam, 2005; Dutch Private Collection

Described and illustrated in catalogue PAN Amsterdam 2005, p. 47

Salt was considered a centerpiece of both the Medieval and Renaissance table top. Through the seventeenth and into the eighteenth century, it remained an important indicator of wealth and status on the dining table. The presentation vessels that contained salt were often sizable and impressive. Figural salts are however rare. Of the figural salt cellars known, often the lady or gentleman is holding one or two basins. One elaborate example of a lady and a gentleman with four basins can be found in the Rijksmuseum, Amsterdam (inv. no. BK-14969). The Kunstmuseum, The Hague has a unique salt cellar that includes a candlestick and mustard jar with a gentleman (inv. no. 0400782). These table pieces were modeled in the latest Rococo fashion, probably after German porcelain examples.

By the early 1740s, sufficient numbers of elegant German porcelain figures, primarily from Meissen, were being imported to the Netherlands. As a result, the Delft factories had little demand for their own less sophisticated versions. However, when the Seven Years’ War (1756-63) erupted, causing interruptions in the production of many of the German porcelain factories, resulting in a severe reduction of the porcelains available in Holland, the Delft factories rose to meet the demand. Many of the resulting figure, animal and bird models produced in Delft during the prolific third quarter of the eighteenth century were based on slightly earlier Meissen models, and while they embrace the spirit of the Rococo Period, they equally exude an underlying earthiness and a characteristic Dutch charm and insouciance.

A pair of similar figures with baskets, but of different model, was auctioned at Frederik Muller & Cie, Amsterdam in 1958, lot 387.

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