In-depth Articles

The leading Ladies of the Delft pottery industry in the seventeenth and eighteenth centuries Based on sixteenth and seventeenth century travel reports, Dutch women were bossy, decisive, dominant, imperious, and exceptionally clean.(1) While these claims were likely exaggerated, they would have stemmed from the astonishment over the extensive freedom enjoyed by Dutch women compared their…

We recently acquired a very rare, large Delft tureen with cover and stand. The stand and body are decorated in monochrome manganese, and the cover with a green and ochre knop. Traditionally, research has favored the origins of Blue and White Delftware, Imari- and Cashmere palettes, White Delft and objects decorated with Petit-Feu colors. However,…

Attributing marks to the Witte Ster (the White Star) factory and in particular to specific persons, has been difficult over the years due to limited archival material. Henry Havard, a French art critic and researcher made the first attempt to attribute marks when he produced a catalogue for the Delftware collection of the famous Dutch…

Natural disasters have wreaked havoc on civilizations throughout time. The effects of devastating earthquakes in Turkey and Syria are still felt today. On a smaller scale, a recent earthquakes in the Dutch province of Groningen was very impactful for the people involved. Although rare, several earthquakes were reported in Western Europe in the seventeenth century…

Delftware is a popular term applied not only to tin-glazed earthenware made in the city of Delft, but in many other production centers within the Netherlands and beyond, especially in England. Starting in the early seventeenth century, English earthenware was called ‘Galleyware,’ later 'White Ware' and subsequently known as Delft or more common 'English Delftware'…

In the 1690s, English courtiers ordered elaborate Delft flower vases and garden pots for display in their palaces and gardens filled with costly exotics as visual evidence of their loyalty to the new Dutch monarchs William III and Queen Mary II. Their inspiration was Hampton Court Palace, and in particular the pavilion, known as the…

In 1723 The Greek A Factory (De Grieksche A) made at least three plates depicting the ship De Jonge Nagtegaal (The Young Nightingale— nightingale being the translation of the Nagtegaal family’s name), two inscribed “schipper Henderik Jacobs Nagtegaal van Amelant Anno 1723 D 10 April” and one where Jacobs is spelled Jakos.1 The ship flies…

Besides the superb pieces of Delft earthenware on display in various museums and held by passionate private collectors, there are also items that will almost never find pride of place in a showcase or exhibition. We’re talking about broken, incomplete or failed pieces that have been discovered in the ground, for instance during archaeological excavations…

A print by Pieter van den Berge from 1708 gives a perfect impression of the increasing popularity of drinking tea in the Dutch Republic in the course of the 17th century. With the practice the need for appropriate accoutrements also grew. As the print shows, tea was consumed slightly differently than today. Hot water was…

Exotic scenes on Delftware Warm, intense colors; rich, dense patterns; landscapes with lush plants and exotic animals, the pair of vases above exude an exotic feel. While they might not seem to be typically Dutch, you might be surprised because the vases were made in Delft around 1700, using the cashmere color palette. Characteristic of…