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D2408 Tea Cannister Adrianus Kocx Greek A

Tea Canister and Cover
Adrianus Kocx, The Greek A
Delft, circa 1690

“On the present tea canister, the hunter on horseback carries a second arrow in his left hand as he strikes his victim.”

RECENT PUBLICATIONS

Delft Trays

The emergence of tea and coffee culture in the Dutch Republic led to a notable expansion in the diversity of household goods. The increasing popularity of these beverages presented lucrative…

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1881. Jacobus Halder Coffeepot

The Artistry of Jacobus Halder

In 1658 'De Grieksche A' (The Greek A) transformed from a beer brewery into a pottery factory, retaining its name and flourishing into one of the most successful potteries in…

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Jacobus Schoemaker Doyer, Van Speijk In The Powder Room (1807 - 1867), Oil On Canvas, Amsterdam Museum, SB 4849

Commander Van Speyk

Preserving History: Van Speyk's Portrait on a Delft Dish On February 5, 1831, now 193 years ago, Dutch naval history was made when hero Jan C. J. van Speyk detonated…

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Equestrian Elegance

Delft Faience Horses as Art and Symbol Horses have forged a unique and enduring connecting with humans due to their  remarkable blend of intelligence, elegance, and strength. Initially hunted, the…

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New collectors have a unique opportunity in the decorative arts to survey an accessible field, find an entry point they’re comfortable with, immerse themselves in research and exploration, and embark on a very enjoyable collecting journey.” — Robert Aronson in an interview for TEFAF Online

OBJECT OF THE MONTH

Blue and White Cartouche-shaped Rectangular Tray

Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to highlight this blue and white tray, as discussed in the main article in our newsletter from April 2024. Trays have been utilized for serving drinks and food since ancient times. The prevalence of trays in daily life is apparent from numerous depictions in interior paintings. An illustrative example is an anonymous…

Blue and White Cartouche-shaped Rectangular Tray

Every month we present you a special object from the Aronson Antiquairs’ collection. This month, we would like to highlight this blue and white tray, as discussed in the main article in our newsletter from April 2024. Trays have been utilized for serving drinks and food since ancient times. The prevalence of trays in daily life is apparent from numerous depictions in interior paintings. An illustrative example is an anonymous painting portraying Abel Wierds Wiarda (1724-1790) and Antje Sjoerds Hoitinga with their daughters, dated 1769, showcasing a tray of a similar design in silver on a table. However, within the category of faience household items produced in Delft, trays are rare. It is possible that wood and silver were favored materials as they are more durable than ceramics. Read more about the maker of this vase, in-depth-article from April 2024. Blue and White Cartouche-shaped Rectangular Tray Delft, circa 1760 Decorated…

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PASSION FOR DELFTWARE

17th & 18th Century Delftware, Unique by Definition

HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.

PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.

COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.

MUSEUM COLLECTIONS

As Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries, it is represented in many museums worldwide. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Read more about the Delftware collections in museums in this section.

The Montreal Museum Of Fine Arts, Montreal
The Montreal Museum of Fine Arts, Montreal

The Montreal Museum of Fine Arts (MMFA) is located in the cultural heart of Canada. Founded in 1860, this museum…

Suntory Museum Of Art, Tokyo
Suntory Museum of Art, Tokyo

The Suntory Museum holds a distinctive place in the vast cultural tapestry of Tokyo. It is recognized not only for…

Ashmolean Museum, Oxford
Ashmolean Museum, Oxford

The Ashmolean Museum at the University of Oxford was established in 1683, and is Britain’s first public museum and the…

Gruuthusemuseum, Bruges
Gruuthusemuseum, Bruges

The Gruuthusemuseum is located in Bruges, Belgium. The museum houses its collection in the medieval Gruuthuse, this used to be…

Kröller-Müller, Otterlo
Kröller-Müller, Otterlo

The Kröller-Müller Museum, nestled within the serene expanse of National Park De Hoge Veluwe in Otterlo, Gelderland, The Netherlands, is…

VIDEO EXPLANATIONS

With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.

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Robert Aronson is certified accountmanager applied arts (toegepaste kunst) for the Landelijke Deskundigheidsmakelaar (LDM) part of the Dutch Police academy.

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